MAJOR JACKSON, POET

“Jackson knows the truth of black magic. It is a magic as simple as the belief in humanity that subverts racism, or the esoteric and mystical magic of making jazz, the music of hope and love.” —Aafa Weaver

Major Jackson is the author of two collections of poetry, Hoops (Norton: 2006), a finalist for an NAACP Image Award for Outstanding Literature-Poetry. and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award.

Poems by Major Jackson have appeared in the American Poetry Review, Boulevard, Callaloo, Post Road, Triquarterly, The New Yorker, among other literary journals and anthologies. He is a recipient of a Whiting Writers' Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio's All Things Considered.

Jackson is an Associate Professor of English at University of Vermont and a faculty member of the Bennington Writing Seminars. In 2006-2007, he was a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

ABOUT HOOPS
The New Yorker: The Critics, April 17, 2006
Briefly Noted
The slangy title of Jackson’s second collection is a layered metaphor, implying, among other things, basketball, jewelry, and life’s hurdles. Jackson seems to define himself by his eclecticism; he reveres basketball players as much as poets. Recalling his early life in a rough Philadelphia neighborhood, he draws nourishment from a sense of his acuity: “My breathing / was older than me.” His poems are witty, musical, and intelligent; he is equally happy discussing the war on terror—“An empire croons, toughed-up in a trance”—or describing early crushes: “The swagger / behind their blue-tinted sunglasses and low-rider / jeans hurt boys like me.” Other subjects include Columbine, Tupac Shakur, iPods, and, above all, the condition and future of the black poet. In a final flourish of contrast, Jackson writes an epistolary poem to Gwendolyn Brooks, in a recognizable, albeit flexible, rhyme royal.

www.majorjackson.com