BRIGIT PEGEEN KELLY, POET
“Imagine a tapestry in which every color, itself resplendent, is couched next to another, equally brilliant hue. Such is Kelly's work, so gorgeous in its language, so vivid in its sonorousness. She is both lavish and demanding. Her images unfold intuitively, hypnotically. Her rhythms and repetitions drive the poems beyond mere logic into passion. Kelly's poetry is symphonic, and each poem is best appreciated as a total composition rather than as a series of melodic lines.”
Booklist
“Brigit Pegeen Kelly is one of the very best poets now writing in the United States. In fact, there is no one who is any better. Not only are her poems brilliantly made, but they also give great pleasure. Rarely are those two qualities seen together in one poet, but in Kelly's work, especially in her new book The Orchard, it happens again and again. For a lover of poetry, the result in pure exhilaration.”
Stephen Dobyns
Brigit Pegeen Kelly's most recent book The Orchard (BOA Editions, 2004) was named a Finalist for the Pulitzer Prize in Poetry, a Finalist for the Los Angeles Times Book Award in Poetry, and a Finalist for the National Book Critics Circle Award in Poetry. One poem from the collection, “The Satyr's Heart”, was selected for a 2005 Pushcart Prize. Kelly's other poetry collections are Song (BOA Editions), the 1994 Lamont Poetry Selection of the Academy of American Poets and a Finalist for the 1995 Los Angeles Times Book Award, and To the Place of Trumpets (Yale University Press, 1988), selected by James Merrill for the 1987 Yale Series of Younger Poets Prize. She is a recipient of a Whiting Writer's Award and the Witter Bynner Prize for Poetry from the American Academy of Arts and Letters. Additional awards and honors include a Discovery/The Nation award, the Cecil Hemley Award from the Poetry Society of America, and fellowships from the Whiting Foundation and the National Endowment for the Arts. Kelly's poems have been anthologized in five Pushcart Prize volumes and six Best American Poetry collections, and have appeared in numerous literary journals, including The Nation, The Yale Review, New England Review, Poetry, The Antioch Review, The Massachusetts Review, and The Southern Review. Kelly teaches in the creative writing program at the University of Illinois, and has also taught at the University of California at Irvine, Purdue University, and Warren Wilson College, as well as numerous writers' conferences in the United States and Ireland. In 2002 the University of Illinois awarded her both humanities and campus-wide awards for excellence in teaching.
Downloadable images are in the Photo Gallery
THE LEAVING
My father said I could not do it,
but all night I picked the peaches.
The orchard was still, the canals ran steadily.
I was a girl then, my chest its own walled garden.
How many ladders to gather an orchard?
I had only one and a long patience with lit hands
and the looking of the stars which moved right through me
the way the water moved through the canals with a voice
that seemed to speak of this moonless gathering
and those who had gathered before me.
I put the peaches in the pond's cold water,
all night up the ladder and down, all night my hands
twisting fruit as if I were entering a thousand doors,
all night my back a straight road to the sky.
And then out of its own goodness, out
of the far fields of the stars, the morning came,
and inside me was the stillness a bell possesses
just after it has been rung, before the metal
begins to long again for the clapper's stroke.
The light came over the orchard.
The canals were silver and then were not.
and the pond wasI could see as I laid
the last peach in the waterfull of fish and eyes.