Richard Blanco

Acclaimed Cuban-American Poet
President Obama's Inaugural Poet 2013

 

 

"Mr. Obama picked Mr. Blanco because the poet’s 'deeply personal poems are rooted in the idea of what it means to be an American.'” —Addie Whisenant, Inaugural committee spokeswoman

 


"Richard Blanco's speech invites the reader in with its search for home. His lyrics open doors onto his Cuban immigrant family, his father's early death, and his own migration from a life in Florida to a life in Maine. His speech houses a generous love of others and a persistent reach for what is absent." —Spencer Reese


Richard Blanco’s mother, seven months pregnant, and the rest of the family arrived as exiles from Cuba to Madrid where he was born on February 15th, 1968. Forty-five days later, the family emigrated once more to New York City. Only a few weeks old, Blanco already belonged to three countries, a foreshadowing of the concerns of place and belonging that would shape his life and work. Eventually, the family settled in Miami where he was raised and educated. Growing up among close-knit Cuban exiles instilled in him a strong sense of community, dignity, and identity that he’d carry into his adult life as a writer.

Though possessed by a strong creative spirit since childhood, Blanco also excelled in math and the sciences. As such, his parents encouraged him to study engineering, believing it would ensure a more stable and rewarding career for him. He took their advice, earning a degree from Florida International University in 1991 and began working as a consulting civil engineer in Miami. In his mid-20s he was compelled to express his creative side through writing, prompted by questions of cultural identity and his personal history. He returned to Florida International University where he was mentored by poet Campbell McGrath, and earned a Master of Fine Arts in creative writing in 1997.

Blanco’s first book of poetry City of a Hundred Fires was published in 1998 to critical acclaim, winning the Agnes Lynch Starrett Poetry Prize from the University of Pittsburgh Press. The collection explored his cultural yearnings and contradictions as a Cuban-American, and captured the emotional details of his transformational first trip to Cuba, his figurative homeland. After the success of his first book, Blanco took a hiatus from his engineering career, and accepted a position at Central Connecticut State University as a professor of creative writing. While living in Connecticut, he met his current life-partner, Dr. Mark Neveu, a renowned research scientist.

Academy of American Poets Interview with Richard Blanco

Driven by a curiosity to examine the essence of place and belonging, Blanco became an extensive traveler; and eventually moved with Mark to Guatemala, then to Washington, DC in 2002. In DC, he taught at Georgetown and American universities, The Writers Center, and at the Arlington Country Detention Facility. Poems relating to his journeys through Spain, Italy, France, Guatemala, Brazil, Cuba, and New England comprised his second book, Directions to The Beach of the Dead (2005), receiving the Beyond Margins Award from the PEN American Center for his explorations of the ideal of home and connections sought through place, culture, family, and love.

LA Times Article about Richard Blanco's Inaugural Poem

But soon Blanco was on the move again, returning in 2004 to Miami, his home away from home, where he resumed his engineering career. Engineer by day, he designed several town revitalization projects; poet by night, he completed an electronic chapbook of poems, Place of Mind. He also began working on another collection before moving once again. This time to Bethel, Maine, a ski resort town on the foothills of the White Mountains, where he sought the peace and tranquility of nature, which he considers a universal home. While in Maine, he completed Looking for The Gulf Motel, published in 2012; it related the author’s complex navigation through his cultural, sexual, and artistic identities.

Washington Post's article about the Inaugural Poet

NPR Interview with Blanco about becoming the Inaugural Poet

After the re-election of President Barack Obama, Blanco was chosen to serve as the fifth inaugural poet of the United States, following in the footsteps of such great writers as Robert Frost and Maya Angelou. Blanco wrote One Today, an original poem for the occasion, which he read at Obama’s inauguration ceremony at the Capitol on January 21, 2013. That day confirmed him as a historical figure: the first Latino, immigrant, and gay writer bestowed by such an honor, as well as the youngest ever, at the age of 44. In his first prose publication, For All of Us, One Today: An Inaugural Poet’s Journey, Blanco shared the emotional details of his experiences as inaugural poet, reflecting on his understanding of what it means to be an American, and his life-changing role as a public voice.

Blanco Interview with LA Review, one year after inauguration 

Since the inauguration, Blanco was named a Woodrow Wilson Visiting Fellow, and received an honorary doctorate from Macalester College. He continues connecting communities with poetry through the art of occasional poetry. To help heal the emotional wounds of the Boston Marathon bombings, Richard wrote Boston Strong, a poem he performed at the TD Boston Garden Benefit Concert and at a Boston Red Sox game at Fenway Park. He has also written and performed occasional poems for such organizations as Freedom to Marry, the Tech Awards of Silicon Valley, and the Fragrance Awards at Lincoln Center.

Blanco continues to write and perform for audiences around the world. In addition to his occasional poetry and perfor- mances, he is currently working on a full-length memoir and is collaborating with renowned illustrator Dav Pilkey on a children’s book.

Watch Blanco Reading at the Tech Awards

Whether speaking as the Cuban Blanco or the American Richard, the homebody or the world traveler, the scared boy or the openly gay man, the engineer or the inaugural poet, Blanco’s writings possess a story-rich quality that easily illuminates the human spirit. His captivating images and accessible narratives invite readers and audiences to see themselves in his poems, which for him are like mirrors in front of which we stand side by side with him—each one of us gazing into our respective lives blurred together with his, connecting us all across social, political, and cultural gaps. For in the end, his work asks himself those universal questions we all ask ourselves on our own journeys: Where am I from? Where to I belong? Who am I in this world?

Blanco on the Leonard Lopate Show

SHORT BIO
Richard Blanco is the author of
City of a Hundred Fires(1998), Directions to the Beach of the Dead (2005), Looking for the Gulf Motel (2012), One Today(2013), Boston Strong (2013), and For All of Us, One Today: An Inaugural Poet’s Journey(2013). In 2013, Blanco was chosen to serve as the fifth inaugural poet of the United States, becoming the youngest, first Latino, immigrant and openly gay writer to hold the honor. His poems have appeared in countless literary journals and anthologies, including Best American Prose Poems and Ploughshares. Blanco has received numerous honors for his writings and performances, including an honorary doctorate from Macalester College and being named a Woodrow Wilson Visiting Fellow. He is currently working on a full-length memoir and is collaborating with renowned illustrator Dav Pilkey on a children’s book.

About The Prince of Los Cocuyos: A Miami Childhood (Memoir, 2014)
A poignant, hilarious, and inspiring memoir from the first Latino and openly gay inaugural poet, which explores his coming-of-age as the child of Cuban immigrants and his attempts to understand his place in America while grappling with his burgeoning artistic and sexual identities. Richard Blanco’s childhood and adolescence were experienced between two imaginary worlds: his parents’ nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an “exotic” life he yearned for as much as he yearned to see “la patria.” Navigating these worlds eventually led Blanco to question his cultural identity through words; in turn, his vision as a writer—as an artist—prompted the courage to accept himself as a gay man. A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco’s personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.  

About For All of Us, One Today (Memoir, 2013)
In this brief and evocative memoir, Richard Blanco shares his life as a Latino immigrant and openly gay man discovering a new, emotional understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed. He reveals the inspiration and challenges behind the creation of the inaugural poem, "One Today," as well as two other poems commissioned for the occasion ("Mother Country" and "What We Know of Country"), published here for the first time ever, alongside translations of all three poems into his native Spanish. Finally, Blanco reflects on his spiritual embrace of Americans everywhere through the power of poetry and his vision for its new role in our nation's consciousness. Like the inaugural poem itself, For All of Us, One Today speaks to what makes this country and its people great, marking a triumphant moment in American history and letters.

About Looking for the Gulf Motel (Poetry, 2012)
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for the Gulf Motel, is a genealogy of the heart, exploring how his family’s emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.

Richard Blanco's Website