New York Times Bestselling Writer
Author of Reality Hunger: A Manifesto
"Maybe he’s simply ahead of the rest of us, mapping out the literary future of the next generation." —Newsweek
“There are paragraphs so finely wrought, so precisely tuned to the narrow-band channels between reader and writer, that the caught breath of inspiration and the sighs of expiration leave us grinning and breathless.”
—Thomas Lynch, The Boston Globe
"A generation from now, when we...read about literature at the turn of the 21st-century... we'll see it referred to as the David Shields era."— Mark Athitakis (B&N Review)
David Shields is the author of fourteen books, including How Literature Saved My Life (Knopf, February 2013); The Thing About Life Is That One Day You’ll Be Dead (a NYT bestseller); and Reality Hunger: A Manifesto (reissued in paperback by Vintage in 2011)—a book that challenges our most basic assumptions about originality, authenticity, and creativity. GQ called Reality Hunger "the most provocative, brain-rewiring book of 2010; it’s a book that feels at least five years ahead of its time." Reality Hunger promises to become the touchstone that artists in all media turn to for inspiration, vindication, and altercation as they struggle to create new forms for the new century. The New York Times says Reality Hunger "urgently and succinctly addresses matters that have been in the air, have relentlessly gathered momentum, and have just been waiting for someone to link them together;" it "probably heralds what will be the dominant modes in years and decades to come." Chuck Klosterman said it "might be the most intense, thought-accelerating book of the last ten years."
Reality Hunger is the culmination of Shields’s life-long exploration of communication, miscommunication, mass culture, nonfiction, genre-blur, “reality.” His previous book, The Thing About Life Is That One Day You'll Be Dead, was a New York Times bestseller. His other books include Black Planet: Facing Race During an NBA Season, a finalist for the National Book Critics Circle Award; Remote: Reflections on Life in the Shadow of Celebrity, winner of the PEN/Revson Award; and Dead Languages: A Novel, winner of the PEN Syndicated Fiction Award. His essays and stories have appeared in the New York Times Magazine, Harper's, Salon, and Slate. Shields's work has been translated into fifteen languages. He co-edited an anthology with Bradford Morrow, entitled The Inevitable: Contemporary Writers Confront Death (Norton, 2011). He also co-edited FAKES: An Anthology of Pseudo-Interviews, Faux-Lectures, Quasi-Letters, “Found” Texts, and Other Dubious Documents (Norton, 2012).
In one of his most popular talks, David Shields fast-forwards the discussion of the central artistic issues of our time. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes of expression obsolete? Exploring these and related questions, Shields brilliantly reframes debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality”—precisely because we experience hardly any—and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
About SALINGER (Biography, 2013)
Based on eight years of exhaustive research and exclusive interviews with more than 200 people-and published in coordination with the international theatrical release of a major documentary film from the Weinstein Company-The Private War of J.D. Salinger is a global cultural event: the definitive biography of one of the most beloved and mysterious figures of the twentieth century. In the eight years since The Private War of J.D. Salinger was begun, and especially in the three years since Salinger's death, the authors interviewed on five continents more than 200 people, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger's World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his New Yorker colleagues, and people with whom he had relationships that were secret even to his own family. Shields and Salerno illuminate most brightly the last fifty-six years of Salinger's life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to never-before-published photographs (more than 100 throughout the book), diaries, letters, legal records, and secret documents, readers will feel they have, for the first time, gotten beyond Salinger's meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the twentieth century.
About HOW LITERATURE SAVED MY LIFE (Nonfiction, 2013)
"Here is a mind on fire, a writer at war with the page...these rigorous, high-octane, exhaustive yet taut ruminations on ambivalence, love, melancholy, and mortality are like an arrow to the brain." —Kristy David, O, The Oprah Magazine
In his most wonderfully intelligent, stunningly honest, and painfully funny book, acclaimed writer David Shields uses himself as a representative for all readers and writers who seek to find salvation in literature. Blending confessional criticism and anthropological autobiography, Shields explores the power of literature (from Blaise Pascal's Pensées to Maggie Nelson's Bluets, Renata Adler's Speedboat to Proust's A Remembrance of Things Past) to make life survivable, maybe even endurable. And he shares with us a final irony: he wants "literature to assuage human loneliness, but nothing can assuage human loneliness. Literature doesn't lie about this–which is what makes it essential." A captivating, thought-provoking, utterly original way of thinking about the essential acts of reading and writing.
About JEFF, ONE LONELY GUY (Nonfiction, 2012)
"The symphony of voices here is an overwhelming reading experience. This short book is also a verification of a legitimate new form of narrative; it’s the definitive document so far of where our medium is heading. I've never read anything like it.” —Bret Easton Ellis
In October 2011, Jeff Ragsdale, down-and-out and depressed after a devastating breakup, posted a flyer around Lower Manhattan that said, “If anyone wants to talk about anything, call me (347) 469-3178. Jeff, one lonely guy.” He figured he’d get a dozen calls; instead, he got hundreds, then thousands once pictures of the flyer went viral on the internet. The calls came from all over the country and the world. People wanted to talk, to confess—most of all, to connect. So far, he has received more than 65,000 calls and texts. Together with David Shields and Michael Logan, Jeff remixed hundreds of calls, voicemails, and texts—over the course of this short, powerful book, Jeff forms intense connections with people desperate to talk to someone who will listen and not judge. In return, he reveals painful secrets about himself.
About REALITY HUNGER: A MANIFESTO (Nonfiction, 2010)
"I don't think it would be too strong to say that Shields's book will be a sort of bible for the next generation of culture-makers." —David Griffith
Fresh from his acclaimed exploration of mortality in the genre-defying, best-selling The Thing About Life Is That One Day You’ll Be Dead, David Shields has produced an open call for new literary and other art forms to match the complexities of the twenty-first century. Shields’s manifesto is an ars poetica for a burgeoning group of interrelated but unconnected artists who, living in an unbearably artificial world, are breaking ever larger chunks of “reality” into their work. The questions Shields explores—the bending of form and genre, the lure and blur of the real—play out constantly around us, and Reality Hunger is a radical reframing of how we might think about this “truthiness”: about literary license, quotation, and appropriation in television, film, performance art, rap, and graffiti, in lyric essays, prose poems, and collage novels. Drawing on myriad sources, Shields takes an audacious stance on issues that are being fought over now and will be fought over far into the future. Converts will see Reality Hunger as a call to arms; detractors will view it as an occasion to defend the status quo. It is certain to be one of the most controversial and talked about books of the season.
About THE THING ABOUT LIFE IS THAT ONE DAY YOU'LL BE DEAD (Memoir, 2008)
“A double memoir-commonplace book in which Shields presents his and his father’s life stories, lovingly encrusted with facts about aging and death (it turns out your soul doesn't weigh 21 grams after all, and your hair and nails do not keep growing postmortem) and quotations (‘After 30, a man wakes up sad every morning, excepting perhaps five or six, until the day of his death’—Emerson). The result is an edifying, wise, unclassifiable mixture of filial love and Oedipal rage. ‘I want him to live forever,’ Shields writes, ‘and I want him to die tomorrow.’” —Lev Grossman, Time Magazine
Mesmerized—at times unnerved—by his ninety-seven-year-old father's nearly superhuman vitality and optimism, David Shields undertakes an investigation of the human physical condition. The result is this exhilarating book: both a personal meditation on mortality and an exploration of flesh-and-blood existence from crib to oblivion—an exploration that paradoxically prompts a renewed and profound appreciation of life. Shields begins with the facts of birth and childhood, expertly weaving in anecdotal information about himself and his father. As the book proceeds through adolescence, middle age, old age, he juxtaposes biological details with bits of philosophical speculation, cultural history and criticism, and quotations from a wide range of writers and thinkers—from Lucretius to Woody Allen—yielding a magical whole: the universal story of our bodily being, a tender and often hilarious portrait of one family. A book of extraordinary depth and resonance, The Thing About Life Is That One Day You'll Be Dead will move readers to contemplate the brevity and radiance of their own sojourn on earth and challenge them to rearrange their thinking in unexpected and crucial ways.