New York Times Bestselling Author
Pulitzer Prize Finalist
National Book Award Finalist
"Mueenuddin’s language stands out in how it bridges the efficient with the lyrical." —Beyond the Margins
"...Mueenuddin’s talent lets us perceive not just [Pakistan's] machinations but also its beauty." —New York Times
Daniyal Mueenuddin was brought up in Lahore, Pakistan, and Elroy, Wisconsin. For his book In Other Rooms, Other Wonders, he was the 2010 winner of The Story Prize, an annual book award for short story collections—as well as a finalist for the Pulitzer Prize, National Book Award, and the LA Times Book Prize. His National Book Award Citation read "One of the best new story writers in America lives on a farm in Pakistan. A large cast of characters passes through his pages, giving us a wonderful sense of the strata of contemporary Pakistan, and, miraculously, a sharp sense of our own lives." The Daily Beast wrote, "In Other Rooms, Other Wonders reveals a modern Pakistan that is as beautiful as it is brutal…[His] work evokes 19th-century Russian masters like Turgenev and Gogol, along with the Southern Gothic tradition of Faulkner and Truman Capote…Mueenuddin is a prodigiously talented writer, capable of imagining the inner lives of Punjabi aristocrats and their servants with equal sympathy, precision and power.” Mueenuddin's next book, I. Want. You. To., is due out in late 2014.
A graduate of Dartmouth College and Yale Law School, Mueenuddin's stories have appeared in The New Yorker, Granta, Zoetrope, The Best American Short Stories 2008, selected by Salman Rushdie, and the PEN/O.Henry Prize Stories 2010. For a number of years he practiced law in New York, and now lives on a farm in Pakistan’s southern Punjab.
About IN OTHER ROOMS, OTHER WONDERS (2009)
“Intimate portraits that raise some of the biggest questions in Pakistan today. . . . In Other Rooms, Other Wonders [o]ffers a richly observed landscape that is written with the tenderness and familiarity of an old friend.” –New York Times
Passing from the mannered drawing rooms of Pakistan’s cities to the harsh mud villages beyond, Daniyal Mueenuddin’s linked stories describe the interwoven lives of an aging feudal landowner; his servants and managers; and his extended family, industrialists who have lost touch with the land. Refined, sensuous, by turns humorous, elegiac, and tragic, Mueenuddin evokes the complexities of the Pakistani feudal order as it is undermined and transformed.